My name is Sam and I'm a lighting designer, programmer and network enginner in Clermont, Florida. I have been working in the production and networking fields for over six years now; serving in various roles.
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Various Freelance · Central Florida

I have also provided various A/V Support and Lighting Design for people and organizations such as: Nic Howell Music, Del Webb: Stone Creek, Lake Sumter State College, Not Just Dance!, and others.

Real Life Church · Clermont, FL
Production Coordinator March 2019 - current

My current responsibilities at Real Life Clermont (one of seven campuses; Clermont is our broadcast campus) is to coordinate the production teams of our childrens and student ministries. I oversee the scheduling and coordination with other departments and teams to execute every service with excellence. I also assist with the maintenance and upkeep of the Main Auditorium space on property; which is where our weekend worship services and student ministry services are hosted. I maintain technical systems such as: Medialon Show Control, UniFi Networks, Extreme Networks, Dante Network, Q-Sys System, D-Live Infastructure, Christie Projectors, Sony Video Switchers, Kumo Video Routers, etc.

Lighting & Video Designer December 2018 - current

For our student ministry services; I also serve as the primary lighting and video designer. Every week I design and program at least four worship songs for lighting and video, using a GrandMA2 lighting console and Arkaos Media Server. We also use Ableton as our primary method of playback for loop and click tracks - but also SMPTE. SMPTE is received by the lighting console and is not only used to trigger lighting and video changes; but also sends midi commands to ProPresenter to trigger lyric slides in sync with the tracks.

East Ridge High School · Clermont, FL

During my first two years at East Ridge High School, I worked as the Audio Supervisor for the East Ridge High Theatre Department - where I maintained two venues, a traditional 500+ seat auditorium and a blackbox theatre. He mixed all of the mainstage musicals for those two years, a handful of choir concerts, special events and plays in the blackbox theater. For large musicals, I was responsible for the coordination of frequences for 22+ wireless transmitters & receivers to ensure high quality audio was delivered to the audience, I also organized QLab workspaces that fired console automation cues to assign/unassign DCA information allowing me to use line-by-line mixing techniques to assist in the goal of providing the highest quality audio for guests.

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